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ASANO, TAKEJI was born in Kyoto in 1900 and lived to 1999. He began a study of art in his youth. In 1919 he graduated from the Kyoto City School of Fine Arts and Crafts and then from the Kyoto City Specialist School of Painting in 1923. Among his Early Teachers was the artist and printmaker Tsuchida Bakusen and Asano helped to organize the Kyoto Creative Print Society (Kyoto Sosaku-Hanga Kyoka) in 1929. In 1930, Takeji Asano along with some other members of the Creative Print Society contributed several designs to a series of prints titled "Creative Prints of Twelve Months in new Kyoto" (Sosaku-hanga shin Kyoto junikagetsu). which were published by Uchida. He expanded his skills into shin hanga print design as well as learning the skills of carving and printing which enabled him to create some self-carved and self-printed series of landscape prints. His main fame came in the 1950s and many of his works have been published by Unsodo. #P2236 RARE FIRST EDITION ORIGINAL SIGNATURE: Takeji in Lower Right of Scene, English Title and Signature in Bottom Margin.SARUSAWA POND 1949  FIRST EDITION YEAR OF PUBLICATION: 1949  SIZE: 39cm x 26.5cm (1ft 3.3 inches x 10.5 inches) ATTRIBUTES: Date 1949, Unsodo First Edition Statement, Copyright Stamp and Publishers Marks in Right Margin. PRICE: $385 Including GST EXPORT $350 #P2231 RARE FIRST EDITION ORIGINAL SIGNATURE: Takeji Asano in Lower Left of Scene.SPRING VIEW OF MOUNT FUJI 1951  FIRST EDITION YEAR OF PUBLICATION: 1951 SIZE: 36.5cm x 26cm (1ft 2.4 inches x 10.2 inches) ATTRIBUTES: Date 1951 and Title in Left Margin. PRICE: $330 Including GST EXPORT $300 #P2167 RARE FIRST EDITION ORIGINAL SIGNATURE: Takeji in Lower Left of Scene, English Title and Signature in Bottom Margin.TOJINBO 1949  FIRST EDITION YEAR OF PUBLICATION: 1949 SIZE: 39cm x 26.5cm (1ft 3.3 inches x 10.5 inches) ATTRIBUTES: Date 1949, Unsodo First Edition Statement, Copyright Stamp and Publishers Marks in Right Margin. PRICE: $385 Including GST EXPORT $350 OUR SELECTION OF GENUINE JAPANESE WOODBLOCK PRINTS BY TAKEJI ASANO PUBLISHED BY UNSODO PUBLISHERS FROM THE ORIGINAL CARVED WOODBLOCKS SIZE 40.5cm x 27.5cm (16 inches x 10.7 inches) There is extremely minor variation in individual woodblock sheet size. ALL ARE IN EXCELLENT CONDITION AND HAVE NEVER BEEN FRAMED. Individual Woodblock Price is Aust$198 including GST Export Price is Aust$180 #P1321 MOONLIGHT IN YASAKA PAGODA  FIRST PUBLISHED: 1951 ATTRIBUTES: Gei Water Mark Visible when held to Light in Lower Left Corner. Unsodo Publisher's Seal, Maeda Printer's Seal and Nagashima Carver's Seal in Left Margin. The Kento Cut in the Bottom Right Corner of the Washi Made in the Printing Process is Added Proof of a Genuine Unsodo Origin and There is also the Typical Tiny Unsodo Printing Smudge on the Far Edge of the Right Hand Margin. #P3222 RAIN IN HIGASHI-HONGANJI TEMPLE, KYOTO SIGNATURE: Takeji in Lower Left of Scene. FIRST PUBLISHED: 1935 ATTRIBUTES: Gei Water Mark Visible when held to Light in Top Left Corner. Unsodo Publisher's Seal, Maeda Printer's Seal and Nagashima Carver's Seal in Right Margin. The Kento Cut in the Bottom Left Corner of the Washi Made in the Printing Process is Added Proof of a Genuine Unsodo Origin. #P1322 DRIZZLING RAIN IN UKIMIDO  FIRST PUBLISHED: 1953 ATTRIBUTES: Gei Water Mark Visible when held to Light in Lower Left Corner. Unsodo Publisher's Seal, Printer's Seal and Carver's Seal in Left Margin. The Kento Cut in the Bottom Right Corner of the Washi Made in the Printing Process is Added Proof of a Genuine Unsodo Origin and There is also the Typical Tiny Unsodo Printing Smudge on the Far Edge of the Right Hand Margin. #P2093 NIGHT SCENE OF KITANO SHRINE SIGNATURE: Takeji in Lower Right of Scene. FIRST PUBLISHED: 1952 ATTRIBUTES: Gei Water Mark Visible when held to Light in Lower Left Corner. Unsodo Publisher's Seal, Shinmi Printer's Seal and Okura Carver's Seal in Left Margin. The Kento Cut in the Bottom Right Corner of the Washi Made in the Printing Process is Added Proof of a Genuine Unsodo Origin and There is also the Typical Tiny Unsodo Printing Smudge on the Far Edge of the Right Hand Margin #P1323 KIYAMACHI STREET, KYOTO  ATTRIBUTES: Gei Water Mark Visible when held to Light in Top Left Corner. Unsodo Publisher's Seal, Shinmi Printer's Seal and Okura Carver's Seal in Left Margin. The Kento Cut in the Bottom Right Corner of the Washi Made in the Printing Process is Added Proof of a Genuine Unsodo Origin and There is also the Typical Tiny Unsodo Printing Smudge on the Far Edge of the Right Hand Margin. #P1262 SNOW IN HIUNKAKU, NISHIHONGANJI TEMPLE, KYOTO. SOLD THANK YOU  FIRST PUBLISHED: 1952 ATTRIBUTES: Gei Water Mark Visible when held to Light in Top Left Corner. Unsodo Publisher's Seal, Shinmi Printer's Seal and Okura Carver's Seal in Left Margin. The Kento Cut in the Bottom Right Corner of the Washi Made in the Printing Process is Added Proof of a Genuine Unsodo Origin and There is also the Typical Tiny Unsodo Printing Smudge on the Far Edge of the Right Hand Margin. #P3223 TWILIGHT IN THE VILLAGE, NARA  FIRST PUBLISHED: 1953 ATTRIBUTES: Gei Water Mark Visible when held to Light in Top Left Corner. Unsodo Publisher's Seal, Shinmi Printer's Seal and Okura Carver's Seal in Left Margin. The Kento Cut in the Bottom Right Corner of the Washi Made in the Printing Process is Added Proof of a Genuine Unsodo Origin and There is also the Typical Tiny Unsodo Printing Smudge on the Far Edge of the Right Hand Margin. |
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